About a million years ago, or eight, as part of an early-years literacy program, our family got a free copy of a wonderful book called, Read Me a Book (how meta is that?!).
The writer’s name was a source of endless hilarity to my daughter as she grew up – Barbara Reid. Perhaps because of that, the name stuck with us, and we started seeing her books everywhere.
Perhaps that’s just because she’s written and illustrated so many other books, all in her trademark Plasticine style. (I guess there’s something about this kind of medium; one of my favourite interviews so far for this blog has been with Jo Litchfield, who works in a rather similar style using Fimo models.)
All my kids and I have been fascinated over the years, through many of Barbara’s books, by the way her illustrations are rich with detail, often odd little details you only notice on the third (or thirtieth) reading.
(from Picture a Tree, 2013)
The Interview
I was honoured to have had a chance to chat with Barbara recently
Yet my kids are fascinated, and ask eagerly for this book every single night. They’ve also been “sneaking” reads on their own during the more suspenseful bits. Wow.
It’s easy to see why so many authors fail: the market is flooded like no time before in history. What will keep you afloat above the deluge?
Since I’m not a visual person (as in, when I draw stuff you can’t really tell what it is that I’ve drawn!), I’ve asked illustrator 